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July 2, 2000
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JUST HOW DO THOSE "POLICE PSYCHICS" DO IT?
My friend Alec Jason, a
forensics expert who was instrumental in my exposure of the tricks
used by Reverend Peter Popoff in his faith-healing swindle, once
shared with me his dismay at the naivety shown by one of the
major authorities in forensics, Vernon J. Geberth. A book
by Geberth titled, "Practical Homicide investigation --
Tactics, Procedures, and Geberth depended upon the fatuous claims of Noreen Renier, an Orlando, Florida, "police psychic" who was featured on an episode of the short-lived TV series, "Put to the Test," featuring naive "investigators" who would be unlikely to find a bowling ball in a bathtub in full sunlight. The show did, however, provide an excellent example of just how bad the "readings" of the operators actually are, and how much wishful thinking, enhancement of vague statements, and sheer invention, enter into making the data appear to work. As Dr. Gary Posner of the Tampa Bay Skeptics pointed out in his review of this program, Renier provided a description of a murderer that was so far off the mark -- except for the gender -- that it would require an incredible amount of imagination to make it fit the perpetrator. As for providing a psychic impression of the crime scene, which was in a small California community, Renier trotted out the usual can't-miss statements. In a stroke of divine inspiration, Renier said about the house, "It seems that there's a lot of white in it." Wow. What more can I say? But there's more: "And there's some strong slant . . . with the roof. . . ." Double wow. How does the woman DO it? Then she offered, "A house, or church, or a house near a church . . ." The mind boggles at the perception and sensitivity of this inspired psychic. These are facts obviously unknown to her, except by divine insight. The three hosts of "Put to the Test," along with the attending investigator -- who knew all the details of the crime and was dutifully prompting Renier -- were appropriately bowled over. Only on one detail did they express some reservation. Renier ventured: "Screen door creaks." Oops. The screen door scraped the porch, but did not creak. Well, maybe it used to creak. Or it will creak someday. We'll wait and see. Renier's reading was full of the usual "I feel," "it seems like," "I see," "there would have been," "maybe," "could have been," "I think," and other such expressions. She asked numerous questions. "Is that right?" and "I don't know" shared the same breath. All the way through, the questioners lead her along in her rambling guesses, as well as nodding approvingly when she was right, and looking puzzled when she wasn't. But there's a good reason for all that feedback, according to Geberth's book. He specifies that ". . . the police have a responsibility to assure that the psychic is properly handled." Apparently that "proper handling" consists of following rules that allow the psychic to operate in an ideal "cold reading" atmosphere, and supplying all the details. The psychic, he wrote, must be questioned "in a casual, gentle manner," and ". . . there should be no series of Yes' and No' questions. . . . If an answer doesn't sound right, instead of a negative, 'No, no, you're all wrong," [the psychic prefers] 'Let's go back to that later.'" And, the expert adds, "Psychics respond better and are more accurate when the individuals working with them have a positive attitude." Geberth suggests that to ascertain the authenticity of a psychic, a good method is to depend upon word-of-mouth. "This report [about how good the psychic is] may appear in a local newspaper . . ." he tells us. Sounds dependable enough for me! On the rational side of
his description on how to handle psychics, the author goes on
to actually suggest several rather good methods of avoiding giving
data to the psychic, and yet misses the importance of taping
the session. To his mind, taping should be done only in
order that none of the details offered will be lost; in my opinion,
the astute investigator might Geberth warns his reader that an unusually accurate performance by a psychic should be regarded with suspicion:
The phonies like conditions they can control. They
But fakes are not human.....? Are they divine, then? And this man is an expert in "practical homicide investigation." Did he have anything to do with the O.J. case? In closing his naive reference to police psychics, Geberth writes:
. . . there is a definite need for the evaluation of the
Grammar aside, I believe he meant to write "psychics" rather than "psychic phenomena," and he seems unaware of Dr. Martin Reiser's rather definitive and damning evaluations, in 1979 and 1982, of whether law enforcement agencies could benefit from employing psychics, and the in-depth examination by Piet Hein Hoebens in 1981 of Dutch psychics Gerald Croiset and Peter Hurkos, inarguably two of the best-known practitioners of this flummery. Reiser concluded, after a comprehensive test he performed on a dozen police psychics:
Overall, little, if any, information was elicited from
The evaluation Geberth called for has already been done. He also wrote that:
The police have much to learn about the relative
He might have better written that:
The police have much to learn about how their own
.................................................. In the '60s, while I was involved in my all-night radio show out of New York city, I was invited by an ardent believer to witness a performance of "psychometry" by Florence Sternfels, another "police psychic" from Edgewater, New Jersey. Psychometry is the claimed ability to handle an object and to then describe by psychic means the history of the object and its owners. And I was invited to bring along with me a test object with some sort of history. Florence had made a bit of news when she tricked the phone company into giving her a listing that they were unwilling to allow. She had a private phone, but wanted to be listed as "Florence the Psychic," and the company insisted that she take a (more expensive) business listing. She simply took a private line and listed her name as "Psychic Florence," which got her listed in the white pages as, "Florence Psychic." And that satisfied her needs. I showed up at a huge home in Croton-on-Hudson with an envelope containing an object about which I actually knew nothing, in fact I'd not even opened the well-padded envelope. It was an object that had been loaned to me by Walter B. Gibson, creator of the fictional Shadow character that was at one time so popular, and a man who had known most of the major figures in the magic profession. I knew nothing about the object, so that the test would be appropriately "blinded." Walter was standing by at his telephone awaiting a call from me so that he could reveal the history of his test item. After Florence had given
several "readings" on offered objects, pumping the
owners for information as expected and thus scoring strongly
to the delight of the faithful fans present, it came my turn.
I gave her my test object, and I told her that I knew nothing
about it, but that I could make a phone call -- after her reading
-- to learn everything I needed to know about it. However, as soon as she shook from the envelope a man's well-worn and very old-fashioned silver belt buckle engraved with the initials "H.H.," I rather guessed who the owner had been, and I had to work hard to avoid her reading my reactions to anything she said. It did not appear that
the psychic looked at the object at all, but I'd noticed that
she always gave each item a quick look and turned it over while
making a few disconnected comments, then held it tightly in her
hand, out of sight. "This belonged to a man,"
Florence began. That was very obviously true, but I said
nothing. "Did it?" she asked me. "I don't
Much fingering and turning of the belt buckle ensued. "Politics?" she ventured. I was silent. "Or maybe the military, in some way?" No reaction from me. "Was he in politics, or in the military, at any time?" she asked. "Florence," I replied, "I know nothing about this object. It's a test object." "You don't know anything about this buckle?" she said as she angrily rose from her chair. "That's right," I told her. "Well-how-the-hell-am-I-supposed-to-know, then?" she screeched, and threw the silver buckle down on the thick rug at my feet. There it was, from her own lips, a succinct statement of just how she operated. I left the room, with Florence mumbling and complaining to the crowd, phoned Walter and verified my suspicion that the belt buckle had belonged to Harry Houdini, and I discovered that it had been worn by him in October of 1926 when he entered Grace Hospital in Chicago to be treated for the ailment that did him in ten days later. When I returned to the waiting audience and informed them of these facts, Florence immediately came up with, "You see, I knew there was serious sickness involved with this object, and that always dulls my sensitivity, because I feel the pain." I quickly asked her where the pain was, and while transfixing me with a hard look, she pointed to her chest. "Really?" I remarked, "It was appendicitis that killed Houdini." "He also had a heart condition!" she snapped, and my reading was most definitely over. Perhaps Houdini -- or Florence Sternfels -- had a misplaced vermiform appendix . . . ?
Postscript: At JREF,
we've just received a comprehensive report from The |